Concert Photographers Green Cove Springs FL

This page provides relevant content and local businesses that can help with your search for information on Concert Photographers. You will find informative articles about Concert Photographers, including "How to Get Great Shots in Stadiums and Arenas". Below you will also find local businesses that may provide the products or services you are looking for. Please scroll down to find the local resources in Green Cove Springs, FL that can help answer your questions about Concert Photographers.

Victoria Foster
(904) 327-5307
1160 Buccaneer Boulevard
Green Cove Springs, FL
Photographic Specialities
Advertising \ Animals/Pets \ Architectural \ Children \ Commercial \ Environmental \ Equine \ Events \ Families \ Fashion/Models \ High School Seniors \ Industrial \ Legal \ Maternity \ Medical \ Portrait \ Schools \ Sports \ Wedding \ Wildlife/Nature
Company
Enlightenment Concept, LLC

Data Provided by:
Pat Tankersley
(904) 886-4410
1750 Leyburn Court
Jacksonville, FL
Photographic Specialities
Children \ Commercial \ Environmental \ Events \ Families \ High School Seniors \ Maternity \ NILMDTS \ Portrait \ Schools \ Sports \ Wedding \ Wildlife/Nature
Company
Camera Craft Fine Art Imaging

Data Provided by:
Deanna Clement
(904) 553-0301
369 Summerset Drive
Saint Johns , FL
Company
Socialshutterfly

Data Provided by:
Sherri Ebert
(904) 230-8137
805 Lapoma Way
Jacksonville , FL
Company
Ebert Images, Inc.
Certifications
FPP Degrees: Florida Degree of Photographic Excellence \ Florida Education Degree

Data Provided by:
Russell Bauer
(904) 962-7235
P.O. Box 10019
Fleming Island , FL
Photographic Specialities
Commercial \ Fashion/ModelsIndustrial \ Portrait \ Wedding \ Wildlife/Nature
Company
Rick Bauer Photographer
Certifications
PPA Degrees: Florida Degree of Photographic Excellence

Data Provided by:
Kenneth Moran
(904) 514-3577
1927 Calusa Trail
Middleburg, FL
Photographic Specialities
Animals/Pets \ Children \ Commercial \ Environmental \ Events \ Families \ Fashion/Models \ Industrial \ Maternity \ Portrait
Company
Moran Photography

Data Provided by:
William Elsner, Jr.
(904) 264-5109
P.O. Box 793
Orange Park, FL
Certifications
FPP Degrees: Florida Degree of Photographic Excellence

Data Provided by:
Danielle Walker
(904) 230-2522
209 Strawberry Lane
Jacksonville, FL
Company
Danielle Walker Photography

Data Provided by:
Lori Robison
(904) 214-5581
518 Chestwood Chase Dr
Orange Park, FL
Company
Cayden Lane Photography

Data Provided by:
Susan Michal
(904) 262-8892
13829 Mandarin Road
Jacksonville, FL
Company
Susan Michal Portrait Artist
Certifications
FPP Degrees: Florida Degree of Photographic Excellence \ Florida Service Award \ Florida Education Degree

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How to Get Great Shots in Stadiums and Arenas

How To Get Great Shots In Stadiums And Arenas - 9/1/08

Say no to flash and yes to ambient light

tip of the week Whenever I watch a sporting event or a concert on TV-anything that shows an arena packed full of people-I'm constantly amazed at the incessant sparkle of camera flashes from all over the stadium. And all I can think of is one thing: those shots aren't going to turn out.

See, a camera flash is designed to illuminate a subject 10- or 20- or maybe even 30-feet from the camera. With point-and-shoots, 50-feet is really the outer limits of a flash's functionality. So when the camera fires the flash in fully automatic mode, it's assuming that it will provide enough illumination to expose the subject correctly. The camera is basically turning off the ambient meter and is only paying attention to the flash. The problem is simple: it can't tell that you're trying to take a picture of a well-lit subject on a stage or field hundreds of feet away, so it underexposes the ambient light, counting on the flash to illuminate the subject. And as everyone who's ever attempted this picture knows, it just doesn't work.

So how do you make that photo in the arena or stadium or school gymnasium more effective? Simple: turn off the flash. Keep your camera in Auto or Program mode, but spin through the mode dial until you get to a no-flash option-usually indicated by a lightning bolt within the universal symbol for no, the red circle and slash. The camera then starts to get some idea of what you're doing, effectively thinking ‘Oh, okay. I still need to make a good exposure here but I can't use the flash. I guess I'd better meter that ambient light and expose for it.' Voila: those rock stars or athletes, or happy graduates are now rendered in a much better light.

Turning off the flash for great ambient exposures works all the time too-not just in crowded stadiums. If you're in a well-light room for example, and you want to make sure the background far behind the subject remains well lit, turn off the flash so the camera can expose solely for the ambience. (Again, with the flash on auto, it exposes correctly for the strobe-lit subject, ignoring the ambient exposure, and producing a dark if not downright indecipherable background.)

When you've conquered the difference in control for ambient and flash subjects, then you can start balancing the two. The point-and-shoot's "night mode" does a great job of this for you, delivering a fill flash to expose the subject and a longer shutter speed exposure to simultaneously showcase the ambience. It's really a great way to grasp the power in that little point-and-shoot, no matter the subject or the lighting.

Click here to read the rest of this article from Digital Photo Magazine