Canon Lens Astoria NY

Camera Lenses directly impact the clarity of your shots. The many different shapes and sizes of camera lenses produce different effects. Continue reading to learn more about Canon lenses and get information on local companies and providers that will help you in your search.

Ritz Camera
(212) 877-8760
Westside Camera 2400 Broadway
New York, NY
 
Wenner Media
(212) 484-1616
1290 Sixth Avenue
New York, NY
 
Associated Camera
(718) 991-5300
962 Southern Blvd
Bronx, NY
 
National Pro Media
(212) 796-6190
PO BOX 2040
New York, NY
 
Ah Photo And Camera Repair
(718) 563-4741
2303 Grand Concourse
Bronx, NY
 
TAZ Trading Partners
(917) 860-3892
83-03 34th Avenue
Flushing, NY
 
Kahan Jewelry Corp.
(212) 719-1055
1156 Avenue of Americas
New York, NY
 
Uncle Steve Car Stereo
(212) 925-5185
334 Canal Street
New York, NY
 
J&R Music and Computer World
(212) 238-9000
23 Park Row
New York, NY
 
Jmg Electronic Services Inc
(201) 656-4065
298 Central Ave
Jersey City, NJ
 

Short Report: Canon EF 24-105mm ƒ/4L IS USM

Short Report: Canon EF 24-105mm ƒ/4L IS USM

The new L-Series zoom delivers under demanding lighting conditions

Short Report: Canon EF 24-105mm

The appeal of the Canon EF 24-105mm ƒ/4L IS USM is two-fold for me. The lens offers the zoom range that I frequently use for most of my photography. The equivalent of a 38-168mm lens on my Canon EOS 20D, it provides me with the flexibility to shoot virtually any subject, from portraits to street scenes. Additionally, its Image Stabilizer feature helps ensure that I get sharp results despite hands that aren't as steady as they used to be.

I had the perfect opportunity to put the lens to the test when two friends from San Francisco came to Los Angeles. Pireeni and Colm are Word & Violin ( www.wordandviolin.com ), a husband-and-wife team that combines poetry and music for a moving and thought-provoking performance. They had asked me to take some portraits of them for their website.

The theater lighting was minimal. This concerned me because the maximum aperture of the lens is ƒ/4. Though I knew I could have had the benefit of a wider aperture with my Canon 50mm ƒ/1.8, I also knew that such a slim depth of field wouldn't leave much room for error. And since I wanted more depth of field to get both Colm's face and portions of his violin in focus, I'd need to go with a smaller aperture. By increasing the ISO sensitivity of the camera to ISO 800, I could shoot at a shutter speed of 1⁄30 sec. at ƒ/4.5.

With the lens set at approximately 80mm, I knew that a shutter speed of 1⁄30 sec. was risking blur from camera shake. With image stabilization, however, I expected to get sharp results at shutter speed settings three stops slower than would normally be possible. Though IS wouldn't counter any subject motion, I was more concerned with soft results from my own body's movements.

The lens delivered consistently sharp results, with the only motion blur produced by Colm's hand controlling the bow, though this added a dynamic element to the photographs. While I'm increasingly using a tripod, I was satisfied to see that handholding a telephoto focal length could still deliver great results. I had anticipated having to manually focus the lens in the dim light, but the lens and the camera's autofocus system worked great even without the aid of the camera's AF assist light.

The resulting images were sharp, and I saw little evidence of color fringing, even in the high-contrast areas of the image. The solid construction and heft of the Canon EF 24-105mm felt perfectly balanced in my hand, and I was pleased to see that the results matched or exceeded my expectations.

Contact: Canon, (800) OK-CANON, www.usa.canon.com .

SPECIFICATIONS
Focal Length: 24-105mm
35mm Equiv.: 38-168mm
Maximum ƒ-Stop: ƒ/4
Minimum Focus: 1.48 feet
Filter Size: 77mm
Size: 3.3x4.2 inches
Weight: 23.6 ounces
List Price: $1,249

Standout Features

• Image Stabilization to c...

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